The first holo clip is from hip level, pointed up. Faces can’t be made out, but a distinctive voice from a breathmask apologizes for making Skywalker wait. Kyle Katarn’s voice explains that Master Skywalker had family matters to attend to in other parts of the galaxy. Next, a Mon Cal voice can be heard addressing the other corner of the room. “The Jedi send Skywalker and the best you send is the assistant to Fey’la? Remember, it was the Mon Calamari that beat the second Death Star, not the Bothans.”
A second glimpse of quick footage is from the same angle. A wheedling voice asks, “Can we expect the Chiss to partner in this effort?” The question is met with a stiff, “The Chiss do not need your help.”
Abruptly the perspective changes to the viewport from The Scimitar. Yith’s mechanically-enhanced voice says, “The Force has shown me danger. The desert is fine for now, but there is a great perversion in that forest. It is as if blue milk has been stirred in to the flow and ebb of the Force.” Immediately Kraka yells. “Look! Did you see that? People are running in to the ruins of that building.”
The cam is in low-light mode, digitally guessing the image from the stray glow cast by a Jensaari lightsaber and Yith’s glowrod. A woman and two kids are being helped out of a trapdoor. A boy panics. “They came. And then the monsters came. They will get us.”
The next scene is outside, the holocam strapped to Kraka’s chest. “Don’t worry! The Jedi are here! Come on out, Okae!” From off-camera a “Shut up, you fool! They’ll hear us!” assaults the party.
A new scene. A man is standing on a building in front of the camera, shading his eyes. Immediately a six-legged reptile, about fifteen feet in length, slams into him and carries him off in his mouth.
Digital static. Images are overlayed as the camera is repeatedly shaken and hit. Ship-class lasers slam into a pack of the reptiles, now near a forest. Over a commlink Drabek screams, “My ship! What do you mean, ZiD8? My ship?! Yargh!” A pinpoint blaster bolt streaks from a distance and pierces deep through the spiked reptilian armor.
The holocam is now on top of one of the beasts. A bandolier of grenades is being tossed into an all-too-close maw.
A Kel Dor is dodging through the grasp of two of the reptiles, holding his own. With each two-handed thrust, the reptiles move slower and slower.
Across the battlefield a squadron of New Republic vanguard are firing into a larger reptile. A paramilitary officer scrambles under one of the legs as he attaches a device, rolling just as a New Republic landing craft is swiped across the ranks of his troops. “Run! Tactical retreat!” he screams as he waves his arms. An explosion knocks the large beast onto its knees, but it progressively regains its six-footed balance.
The holocam is now under one of the beasts. The view somersaults and the tell-tale hiss of a lightsaber can be heard. “No, Tyris,” is heard whispered.
Walking calmly into the chaos is a lone figure with his right arm outstretched. He clutches at the air and a gurgled howl rings out across the forest. He clutches again, harder, yet remains collected as he walks. Next to the camera, “No, Tyris!” as the perspective starts to run towards the man in the armor.
Static.
Later analysis, after replaying the footage multiple times, determined that for a millisecond before the static, a speeder can be seen crashing into the camera.
Blue skin. Blue skin. Flash of reptile roaring. Blue skin.